At the time, the top panel of the Hatchet de-cloaking was pretty ambitious for me, FX-wise. I was pretty well versed with Photoshop, but doing a ship that went from solid to transparent while also having gridlines that faded in and out was probably the biggest FX shot of the series and took quite a lot of effort to get right.

These days, it would be a snap, especially since Photoshop now has layer masks that I don’t think were available back then.