As with the previous scene with Azarek in the hold, it can be tough to find new and interesting angles with characters in fixed positions, like at a dining table. A lot of it came down to figuring out which characters would be sharing dialogue and then seating those characters next to or across from each other. That way, I’d be able to focus on just the characters in a two-shot (or three-shot) without having to draw everyone else in between who wasn’t essential to the shot.